The unbridled joy of the architects
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ARTURO GODOY made history at Joe Louis
and its consecration to the sacrifice was the quintessential Boxing
Arturo Godoy
celebrating after his first fight with Joe Louis
and its consecration to the sacrifice was the quintessential Boxing
Arturo Godoy
celebrating after his first fight with Joe Louis GODOY
The great joy of Iquique effusive
Sometimes you think that the big defeats boxing songs deserve only sadness and anger
, but in the case of Floridor Perez just about the singing heard defeat or as well as paints his poem, suffered through a dramatic radio broadcast of the RCA. soul listeners it hurt! But nothing more typical of boxing that the intimate joy of the final. Such that beyond victory or defeat, comes from knowing already accomplished a great and eloquent representation of feelings and passions that come together as in life, and be subordinate to it, too painful to share a great sacrifice, blind faith and merely of honor, proud honor of that accomplishment. Nothing more appropriate than the ecstasy that is generated when a boxer, no more to see the newly created and reach an understanding of what would be the
rationale
of boxing. And nothing more sublime than the joy of the boxer who has honored his profession, printing of his work the stamp of his deep personal vehemence, transfused with the consciousness that embraces the aspirations and values \u200b\u200bgranted by terroir and its origin. Nothing is more natural to feel at the time, imbued chest ro dent an exultant and unbridled joy of pride.
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Brief biography of Arturo Godoy,.
Although
fell and fell to the canvas, Arturo Godoy
rose to continue fighting. Never before had given him as a boxer uphill battle the feared Joe Louis. native of Caleta Buena, good for swimming. He loved the North Sea, the escapades of thirty and thirty-five miles to Iquique with friends. He dreamed of leaving poverty, misery out of his mother Dona Vicentina de Godoy Urbina and his brothers. The home was minimal. The father, Arturo Godoy reached the plain, sometimes with some money. A few weeks of fishing and then went for months, to vague work explorations. Meanwhile the boy Arthur worked as shellfish, and gave strong at the oars, stood networks, collecting spinal getting bigger between fishermen and afternoon swimming.
When he turned eighteen he entered the regiment Carampangue in Iquique. The athlete caught the attention of an officer. Tireless on the trot, unattainable in swimming, long-winded diver and boxer that defeated the most painted of their opponents. "Try the gloves. You can become a great heavyweight "- I suggested, beginning to train.
soon travel to Santiago as a fan to fight the National Boxing Championship where he easily won the title of champion of Chile in the light heavyweight category. He was only eighteen. At that time Luis knows Bouey, manager ofLoayza Tani, who enthusiastically with Godoy.
was climbing Step by step, perfecting his technique. The boy is obedient, learn fast. Shortly after going to Cuba. It has no rivals in Chile. De La Habana, Tampa, Miami. Boxers are falling in Chile and abroad. Is already a national icon. In 1936 he made his debut at Madison Square Garden.ties with Al Ettore and then the same result Leroy Haynes. The night Knock-out defeat by Ropper Jack dies, his good friend and driver coach Louis Bouey. It gets in the hands of Lou Brix. Defeat Otis Thomas, a Art Sykes. And has 24 years and is among the greats. faces Tony Galento , "Galento brewer" who had shot with his right to fear the canvas no less than Joe Louis . Godoy defeated him on points.
After a few months back and beat SouthAns Birki and Alberto Lovell. With this victory becomes heavyweight champion of the continent. And he was ready to face Joe Louis .
The February 9, 1940, at Madison Square Garden in New York was the combat. Godoy was 28. "That night we used force. Godoy fell and fell again to the canvas. Stood up, went to black, the enraged crowd roared. Godoy face bloody and swollen, throwing his hands in the dark, drops again, continues Godoy, returns to battle, pass the rounds, we must stop the fight, not above Godoy! Iquique top! Chile up! Final bell rings. Joe Louis wins... It's a win anyway. Never a Chilean boxer had gone so far.
The Detroit bomber" bombs almost destroyed it. Godoy in the eighth round falls five times. It's the end of an illusion. After losing to Louis, Godoy continued boxing professionally until 1951 and announced his final retirement in 1953, vacating the South American heavyweight title. He died on August 27, 1986 at the age of 73 years
On June 20 of that year, Godoy is on a rematch at Yankee Stadium. But it was not the same. Godoy has neglected his training, he is fat. Game, yes. But nothing against Louis in its full powers. "
And the cold indifference of Joe Louis.
When some experts appreciate boxing as if it were horse racing, which win the final moment seems to be the only thing that counts, and where the supreme value of sport is distorted eschatologically honor the full cut light to all frames in the sequence before the climax of "cross disk" then the only thing important to know these experts, with pure and revealing great certainty, to paraphrase Socrates, is that they know nothing or you can not see anything, which is the same.
Attend boxing is usually the same as attending
develop-ment of an artistic composition. Where the framers of the creation are like says Ricky Ray Taylor , great unveiled the work rather than their manufacturers. The work itself, and consists of some magnificence of attributes that the boxers will or will not have enough courage and determination to uncover. The ring is where it should be realized, or rather, come to light. And anything that can project a boxing match on the individual capacity of sympathy or involvement of a particular observer, always deserve much more attention than the myopic conclusions to be derived from something that, in itself, has no more than a tiny, sterile accounting incidence statistics: that which is recorded under the heading of "official result."
Over time, all major boxing matches and even more of those disputed among the great architects of the lid, will not shine too much litter in the controversy, nor be too much fabric to cut of advice given by the jurors, they were partial or impartial, nor of the findings which are often biased fans, who are generally attuned and contaminated by the bliss of their own perceptions, or the words "authorized" by the critics, or anything other than the direct and specific statement of the compelling events that took place inside the ring.
That happened in the ring is all that speak for itself.
And in that sense, the fight itself is the only piece of material made transcendent. saying the fight if I am referring to "all" the dynamics of representation, to the full and continuous sequence that spans between the start and end points of the action, not just the dessert table or the final bell of the announcement of the decision.
Every fight is a subjective and timeless artistic work, which necessarily will be protected from the reviews of the commentators and alterations imposed by contemporary curators, and will continue to provide future opportunities for reinterpretation and reworking on the basis of the ever-changing parameters trial.
Joe Louis vs. Arturo Godoy I, 09/02/1940
The art of boxing is similar to the theater. exhibits the same variety of reflexes that emanate continuously from the sources of
human soul, the life of daily effort of flirting with the fragility and transience of things loved, why is worth fighting and risking and tortuous relationship with death itself, under the indulgent gaze of a powerful mystery. But boxing does not conform to recreate something as histrionic plot
rough as life, through effects, makeup, awnings, lighting, costumes ... boxing action prefer the authenticity of the real effect of fatigue, pain, caul, impotence and exultation
of enjoyment in your case, no representation is representation and not a mirror of history feigned.
Neither the public "spectator" or the actors, "actors" who have just closed a manifestation of vital
unique art, which watered the majestic presence of nature, commitment, the vices and virtues with the same force and vivacity that dominate real life, they can leave indifferent. As does the theater, boxing also mobilizes the collective emotional catharsis.
LOUIS
Louis was an unlikely giant dimensions, and in the eyes of Iquique Godoy was the stone of which was forged the supreme work of boxing Andes. Ravager and remarkable
There is good agreement among scholars to consider
Joe Louis in the top 10 boxers of all time. Many boxing historians and fans say without more, that was the best heavyweight of all time and no wonder that so pleases. Possessing a formidable punch, ambidextrous, exceptionally harmonious, elegant in his movements, always with well-armed guard, fast, accurate as a few other historical heavy, austere and selective in launching his punches to the point of developing such high shares of "hits on hits thrown "that would be unthinkable these days and a specialist refined technique of combining the deadly volleys from all angles bet being offered. The best heavyweight
Paradoxically, the best heavyweight of all time was rarely above 200 pounds or 90 kgs of weight, even though the height of 188cm and enormity of arms 193cm.
was the world champion reinado-1937/1948- longer and has a bunch of memorable knockouts on Primo Carnera (118 kgs), Max Baer, \u200b\u200b"Cinderella Man " Jim Braddock, his first winner and arch-rival Max Schmeling , Tony Galento and his masterpiece, 1941 to Billy Conn the legendary Polo Grounds in New York in what is described as the most beautiful and lethal combination of 6 accurate shots applied from a hopeless condition, after he received an unexpected streak of the boy from Pittsburgh. Louis left after visiting a boxing legacy of legendary stature. Their stylistic influence is projected on a large number of modern figures who, having embraced and emulated his mystical transport, reprinted almost without exception their march consecration. Not that Louis was a "greatest of the great" just for having reached notable brands and athletic goals. Louis style, how to compete as Louis was succeeded beyond all dispute.
Rounds 7 and 8
Joe Louis vs. Arturo Godoy II 20 Mb
Louis starred in his time a real technical revolution and athletic. Louis understood as no art around the ring using a strategic and methodological and tore down the historic conception of what it means to gain ground in offensive and defensive positions. And Louis closed forever the idea that front-line competitor just responsible, "romantic" little effort attached to the gym or semi-proifesional. After Louis and was almost impossible to conceive such champions, who neglected a thorough preparation before and reneged on a deep attachment for continuous improvement.
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